Music speaks to us at a deep level it translates the messages inside our hearts into flowing melody and rhythm. Because this music can take hold of another person or millions of ears and share the same feelings as the musician does. But music does not only play about feelings and emotions. It also represent the culture and race that one belongs to.
So you hit the library to do research but the music section does not help, and the librarian points you to the history section. A title catches your eye and it is about the musical history of Trinidad, and you realized that what you wanted to do was to play steel pan music. But there is more to the instrument than performing a great piece.
This instrument emerges from Trinidad in the 1930s and called as tamboo bamboo. The late 1700s brought African slaves to the shores of Trinidad where French planters often celebrated a tradition similar to the carnival. However the slaves had their own version using drum tune, and by the time of emancipation these celebrations became more colorful and livelier.
There several times that these percussion instruments were banned by the governing body during that day. Because it was associated with criminals and outlaws these were not very popular then. However in recent years the pan has made it way back from the grave.
Notes differs depending on the size of the pitch. A lower tones are made through the larger oval while the higher tones with the smaller ones. Most pans are painted or in chrome while others are processed in powder coating, nickel plating, and hardening for the finish.
There are other notable people who have helped improve this line. But without the musicians who made it possible to play these things then it would not have been made. Instruments like these were usually played around the neck, which means a long strap that held this drum were placed near the neck to prevent it from falling.
In producing sounds the device have two commonly used playing techniques called the piston which simply make use of hands by giving it an up and down motion. The flick is similar to the piston except when the hand is near the surface the stick is wave at each side. Then the single stroke roll is used to prolong a tone and these are played quickly and evenly.
Shifting your weight includes bending the knees and sometimes leaning close to it during the music session. Never removed your hands from the inside the drum and always keep it close, so the best sound can be produced. The player should know how to hold the sticks by gripping it tightly or loosely, and knowing what kind of size the device is should be enough to know which method to choose.
Depending on the size the grip is loose when the object is bigger and tighter when the it is smaller. Strokes come in two strokes such as the piston and flick. The wrists help the sticks move, once the stick hits the object it should be retracted after the impact to produce sound. Leaving it on the object longer will produce a mute. The piston stroke starts at the upright position of the hand then is pulled down at a 180 degree angle.
So you hit the library to do research but the music section does not help, and the librarian points you to the history section. A title catches your eye and it is about the musical history of Trinidad, and you realized that what you wanted to do was to play steel pan music. But there is more to the instrument than performing a great piece.
This instrument emerges from Trinidad in the 1930s and called as tamboo bamboo. The late 1700s brought African slaves to the shores of Trinidad where French planters often celebrated a tradition similar to the carnival. However the slaves had their own version using drum tune, and by the time of emancipation these celebrations became more colorful and livelier.
There several times that these percussion instruments were banned by the governing body during that day. Because it was associated with criminals and outlaws these were not very popular then. However in recent years the pan has made it way back from the grave.
Notes differs depending on the size of the pitch. A lower tones are made through the larger oval while the higher tones with the smaller ones. Most pans are painted or in chrome while others are processed in powder coating, nickel plating, and hardening for the finish.
There are other notable people who have helped improve this line. But without the musicians who made it possible to play these things then it would not have been made. Instruments like these were usually played around the neck, which means a long strap that held this drum were placed near the neck to prevent it from falling.
In producing sounds the device have two commonly used playing techniques called the piston which simply make use of hands by giving it an up and down motion. The flick is similar to the piston except when the hand is near the surface the stick is wave at each side. Then the single stroke roll is used to prolong a tone and these are played quickly and evenly.
Shifting your weight includes bending the knees and sometimes leaning close to it during the music session. Never removed your hands from the inside the drum and always keep it close, so the best sound can be produced. The player should know how to hold the sticks by gripping it tightly or loosely, and knowing what kind of size the device is should be enough to know which method to choose.
Depending on the size the grip is loose when the object is bigger and tighter when the it is smaller. Strokes come in two strokes such as the piston and flick. The wrists help the sticks move, once the stick hits the object it should be retracted after the impact to produce sound. Leaving it on the object longer will produce a mute. The piston stroke starts at the upright position of the hand then is pulled down at a 180 degree angle.
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